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“This summer’s sweetest confection is J.C. Cervantes’s The Enchanted Hacienda. This book is like dipping your brain into a jar of serotonin.” —New York Times Book Review

"This is a contemporary coming-of-age story, with a sprinkling of magic, that’s one of my most anticipated reads of the year." —Emily Henry, #1 New York Times bestselling author, in Elle Magazine

When Harlow Estrada is abruptly fired from her dream job and her boyfriend proves to be a jerk, her world turns upside down. She flees New York City to the one place she can always call home—the enchanted Hacienda Estrada.

The Estrada family farm in Mexico houses an abundance of charmed flowers cultivated by Harlow’s mother, sisters, aunt, and cousins. By harnessing the magic in these flowers, they can heal hearts, erase memories, interpret dreams—but not Harlow. So when her mother and aunt give her a special task involving the family’s magic, she panics. How can she rise to the occasion when she is magicless? But maybe it’s not magic she’s missing, but belief in herself. When she finally embraces her unique gifts and opens her heart to a handsome stranger, she discovers she’s far more powerful than she imagined.

With unforeseen twists, romance, and a heavy sprinkle of magic, The Enchanted Hacienda is a captivating coming-of-age debut exploring identity, unconditional family love, and uncovering the magic within us all.

From author Annette Chavez Macias comes a heartfelt novel about a woman who embarks on an emotional journey when she meets her biological father on the day of her mother's funeral.

No one expects to meet their father at their mother's funeral. But for Gabby Medina, that's exactly what happens. Her dad abandoned her when she was a baby, and now he's back.

And he wants to give her a house.

Gabby doesn't want the house--or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn't mean she accepts him.

After they strike a deal, Gabby hires a contractor in preparation for a quick sale. But as she gets to know the town and these two new men in her life, she learns more about herself than she ever dared to think possible.

But is she ready to open herself up to the truth of what happened--and the promise of what could be?

New York Times Bestseller • Read With Jenna Book Club Pick as seen on Today • Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiography • Winner of the American Library Association Alex Award

A young poet tells the inspiring story of his migration from El Salvador to the United States at the age of nine in this “gripping memoir” (NPR) of bravery, hope, and finding family.  

Finalist for the PEN/John Kenneth Galbraith Award for Nonfiction • One of the New York Public Library’s Ten Best Books of the Year

Longlisted for the Andrew Carnegie Medal for Excellence and the PEN/Open Book Award

“I read Solito with my heart in my throat and did not burst into tears until the last sentence. What a person, what a writer, what a book.”—Emma Straub

“A riveting tale of perseverance and the lengths humans will go to help each other in times of struggle.”—Dave Eggers

ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, San Francisco Chronicle, Vulture, She Reads, Kirkus Reviews

Trip. My parents started using that word about a year ago—“one day, you’ll take a trip to be with us. Like an adventure.”  

Javier Zamora’s adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a “coyote” hired to lead them to safety, Javier expects his trip to last two short weeks.
 
At nine years old, all Javier can imagine is rushing into his parents’ arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside fellow migrants who will come to encircle him like an unexpected family.
 
A memoir as gripping as it is moving, Solito provides an immediate and intimate account not only of a treacherous and near-impossible journey, but also of the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier Zamora’s story, but it’s also the story of millions of others who had no choice but to leave home.

A woman is haunted by the Mexican folk demon La Llorona in this “utterly terrifying and wholly immersive . . . story about generational trauma, colonization, systemic oppression, and the horror at the heart of motherhood” (Library Journal, starred review).

“Castro is one of the most exciting genre authors on the scene right now, and this might be her most powerful book yet.”—Paste

Alejandra no longer knows who she is. To her husband, she is a wife, and to her children, a mother. To her own adoptive mother, she is a daughter. But they cannot see who Alejandra has become: a woman struggling with a darkness that threatens to consume her.
 
Nor can they see what Alejandra sees. In times of despair, a ghostly vision appears to her, the apparition of a crying woman in a ragged white gown.
 
When Alejandra visits a therapist, she begins exploring her family’s history, starting with the biological mother she never knew. As she goes deeper into the lives of the women in her family, she learns that heartbreak and tragedy are not the only things she has in common with her ancestors.
 
Because the crying woman was with them, too. She is La Llorona, the vengeful and murderous mother of Mexican legend. And she will not leave until Alejandra follows her mother, her grandmother, and all the women who came before her into the darkness.
 
But Alejandra has inherited more than just pain. She has inherited the strength and the courage of her foremothers—and she will have to summon everything they have given her to banish La Llorona forever.

Grammy-nominated, multi-platinum–selling artist, entrepreneur, and philanthropist Fat Joe pulls back the curtain on his larger-than-life persona in this gritty, intimate memoir about growing up in the South Bronx and finding his voice through music.

“An adrenaline rush . . . so buckle up and lean back.”—Spin

Fat Joe is a hip-hop legend, but this is not a tale of celebrity; it is the story of Joseph Cartagena, a kid who came of age in the South Bronx during its darkest years of drugs, violence, and abandonment, and how he navigated that traumatizing landscape until he found—through art, friendship, luck, and will—a rocky path to a different life.

Joe is born into a sprawling Puerto Rican and Cuban family in the projects of the South Bronx. From infancy his life is threatened by violence, and by the time he starts middle school, he is faced with the grim choice that defined a generation: to become predator or prey. Soon Joe and his crew dominate the streets, but he finds his true love among the park jams where the Bronx’s wild energy takes musical form. His identity splits in two: a hustler roaming record stores, looking for beats; and a budding rapper whose violent rep rings in the streets. As Joe’s day-to-day life becomes more fraught with betrayal, addiction, and death, until he himself is shot and almost killed, he gravitates toward the music that gives him both a voice to tell the stories of his young life and the tools he needs to create a new one. The challenges never stop—but neither does Joe.

This memoir, written in Joe’s own intensely compelling voice, moves with the momentum of pulp fiction, but underneath the tragicomedy and riveting tales of the streets and the industry is a thought-provoking story about a generation of survivors raised in warlike conditions—the life-and-death choices they had to make, the friends they lost and mourned, and the glittering lives they created from the ruins.

"Aquino’s debut novel explores complex ideas: how things that are threatening can also be attractive and whether a debt is owed to the people and places that shaped you."— WASHINGTON POST

“I was crying like I lost my best friend as I finished. . . . This book is an act of love . . . It will break you apart and remind you that we can all be put back together again, stronger, and wiser than before.” — XOCHITL GONZALEZ, New York Times bestselling author of Olga Dies Dreaming

An emotionally riveting coming-of-age drama about two cousins lured into the underground drug trade at a young age and the inextricable ties that bind them, as one woman seeks power and the other seeks a way out—the debut of a vibrant and stunningly original new voice in fiction.

Carmen and Grace have been inseparable since they were little girls—more like sisters than cousins, survivors of a childhood marked by neglect and addiction and a system that never valued them. For too long, all they had was each other. That is, until Doña Durka swept into their lives and changed everything, taking Grace into her home, providing stability and support, and playing an outsize role in Carmen’s upbringing too.

Durka is more than a beneficent force in their Bronx neighborhood, though. She’s also the leader of an underground drug empire, a larger-than-life matriarch who understands the vital importance of taking what power she can in a world too often ruled by violent men. So, when Durka dies suddenly under mysterious circumstances, Carmen and Grace’s lives are thrown into chaos. Grace has been primed to take over and has grand plans to expand the business. While Carmen is ready to move on—from the shadow of Durka and her high expectations and, most of all, from always looking over her shoulder in fear. She’s also harboring a secret: she’s pregnant and starting to show, and desperate to build a new life before the baby arrives.

But how can Carmen leave the only family she’s ever known—this tight sisterhood of women known as the D. O. D., a group of lost girls turned skilled professionals under Durka’s guiding hand, all bonded in their spirituality and merciless support for one another—especially now, when outside threats are circling, and Grace’s plans are speeding recklessly forward?

As tough and tender as its main characters, Carmen and Grace will grab readers from the first page with its raw beauty, depth of feeling, and heart-pounding plot. A moving meditation on the choices of women and the legacy of violence, it’s a devastatingly wise and intimate story about the bonds of female friendship, ambition, and found family.

"Melissa Coss Aquino brilliantly delivers a loving novel with characters you are inspired to ride or die with. . . . If you love reading novels about creative, ambitious, and relentless women who are committed to community and making a way out of no way, read this book!" — ANGIE CRUZ, author of How Not to Drown in a Glass of Water and Dominicana

“Electric, heartrending, and exceptionally tender . . . Every sentence of Melissa Coss Aquino's debut feels acute and deliberate, a shard of glass held up to the light.” — DANYA KUKAFKA, bestselling author of Notes on an Execution 

A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties

In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.

And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.

Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

"Alejandro Varela’s The People Who Report More Stress: Stories is a master class in analyzing the unspoken." —The New York Times

"A searing collection about gentrification, racism, and sexuality." —Publishers Weekly (Starred Review)

"Alejandro Varela is one of my favorite short story writers." —Alexander Chee, author of How to Write an Autobiographical Novel

The People Who Report More Stress is a collection of interconnected stories brimming with the anxieties of people who retreat into themselves while living in the margins, acutely aware of the stresses that modern life takes upon the body and the body politic.

In “Midtown-West Side Story,” Álvaro, a restaurant worker struggling to support his family, begins selling high-end designer clothes to his co-workers, friends, neighbors, and the restaurant’s regulars in preparation for a move to the suburbs.

“The Man in 512” tracks Manny, the childcare worker for a Swedish family, as he observes the comings and goings of an affluent co-op building, all the while teaching the children Spanish through Selena’s music catalog.

“Comrades” follows a queer man with radical politics who just ended a long-term relationship and is now on the hunt for a life partner. With little tolerance for political moderates, his series of speed dates devolve into awkward confrontations that leave him wondering if his approach is the correct one.

A collection of humorous, sexy, and highly neurotic tales about parenting, long-term relationships, systemic and interpersonal racism, and class conflict from the author of The Town of Babylon, The People Who Report More Stress deftly and poignantly expresses the frustration of knowing the problems and solutions to our society’s inequities but being unable to do anything about them.

A powerful debut novel that's "hilarious, heartbreaking, and ass-kicking" (Jamie Ford), of a Puerto Rican family in Staten Island who discovers their long‑missing sister is potentially alive and cast on a reality TV show, and they set out to bring her home.

A Most Anticipated Book of 2023 by Elle • USA Today • Today.com • Ms. Magazine • Good Housekeeping • Bustle • The Week • Goodreads • Bookriot • Pop Culturely • SheReads • Litreactor • Electric Lit • The Mary Sue • People Español • Zibby Mag • Debutiful • Her Campus
 
Best Books of March by Time • Shondaland • Ms. Magazine • Popsugar • Bookriot • Debutiful • Powell’s Book Blog

A March Indie Next Pick! Belletrist and Readers Digest book club pick! 

The Ramirez women of Staten Island orbit around absence. When thirteen‑year‑old middle child Ruthy disappeared after track practice without a trace, it left the family scarred and scrambling. One night, twelve years later, oldest sister Jessica spots a woman on her TV screen in Catfight, a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy, after all this time?

The years since Ruthy's disappearance haven't been easy on the Ramirez family. It’s 2008, and their mother, Dolores, still struggles with the loss, Jessica juggles a newborn baby with her hospital job, and Nina, after four successful years at college, has returned home to medical school rejections and is forced to work in the mall folding tiny bedazzled thongs at the lingerie store.

After seeing maybe‑Ruthy on their screen, Jessica and Nina hatch a plan to drive to where the show is filmed in search of their long‑lost sister. When Dolores catches wind of their scheme, she insists on joining, along with her pot-stirring holy roller best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future—with or without Ruthy in it.

What Happened to Ruthy Ramirez is a vivid family portrait, in all its shattered reality, exploring the familial bonds between women and cycles of generational violence, colonialism, race, and silence, replete with snark, resentment, tenderness, and, of course, love.

Includes a Reading Group Guide.

NEW YORK TIMES BESTSELLER • From the bestselling author of Mexican Gothic and Velvet Was the Night comes a lavish historical drama reimagining of The Island of Doctor Moreau set against the backdrop of nineteenth-century Mexico.

“This is historical science fiction at its best: a dreamy reimagining of a classic story with vivid descriptions of lush jungles and feminist themes. Some light romance threads through the heavier ethical questions concerning humanity.”—Library Journal (starred review)

“The imagination of Silvia Moreno-Garcia is a thing of wonder, restless and romantic, fearless in the face of genre, embracing the polarities of storytelling—the sleek and the bizarre, wild passions and deep hatreds—with cool equanimity.”—The New York Times (Editors’ Choice)

FINALIST FOR THE HUGO AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, Time, NPR, Polygon, Tordotcom, Paste, CrimeReads, Booklist

Carlota Moreau: A young woman growing up on a distant and luxuriant estate, safe from the conflict and strife of the Yucatán peninsula. The only daughter of a researcher who is either a genius or a madman.

Montgomery Laughton: A melancholic overseer with a tragic past and a propensity for alcohol. An outcast who assists Dr. Moreau with his experiments, which are financed by the Lizaldes, owners of magnificent haciendas and plentiful coffers.

The hybrids: The fruits of the doctor’s labor, destined to blindly obey their creator and remain in the shadows. A motley group of part human, part animal monstrosities.

All of them live in a perfectly balanced and static world, which is jolted by the abrupt arrival of Eduardo Lizalde, the charming and careless son of Dr. Moreau’s patron, who will unwittingly begin a dangerous chain reaction.

For Moreau keeps secrets, Carlota has questions, and, in the sweltering heat of the jungle, passions may ignite.

The Daughter of Doctor Moreau is both a dazzling historical novel and a daring science fiction journey.

Caught in the crosshairs of gang violence, a teen girl and her mother set off on a perilous journey from Guatemala City to the US border in this “engrossing” (Kirkus Reviews) young adult novel from the author of Don’t Ask Me Where I’m From.

For seventeen-year-old Maya, trashion is her passion, and her talent for making clothing out of unusual objects landed her a scholarship to Guatemala City’s most prestigious design school and a finalist spot in the school’s fashion show. Mamá is her biggest supporter, taking on extra jobs to pay for what the scholarship doesn’t cover, and she might be even more excited than Maya about what the fashion show could do for her future career.

So when Mamá doesn’t come to the show, Maya doesn’t know what to think. But the truth is worse than she could have imagined. The gang threats in their neighborhood have walked in their front door—with a boy Maya considered a friend, or maybe even more, among them. After barely making their escape, Maya and her mom have no choice but to continue their desperate flight all the way through Guatemala and Mexico in hopes of crossing the US border.

They have to cross. They must cross! Can they?

NATIONAL BESTSELLER • “The lives of a Jewish boy escaping Nazi-occupied Europe and a mother and daughter fleeing twenty-first-century El Salvador intersect in this ambitious, intricate novel about war and immigration” (People), from the New York Times bestselling author of A Long Petal of the Sea and Violeta

“Allende’s storytelling walks a lyrical romanticism on roads imposed by social and political turmoil.”—NPR

Vienna, 1938. Samuel Adler is five years old when his father disappears during Kristallnacht—the night his family loses everything. As her child’s safety becomes ever harder to guarantee, Samuel’s mother secures a spot for him on a Kindertransport train out of Nazi-occupied Austria to England. He boards alone, carrying nothing but a change of clothes and his violin.

Arizona, 2019. Eight decades later, Anita Díaz and her mother board another train, fleeing looming danger in El Salvador and seeking refuge in the United States. But their arrival coincides with the new family separation policy, and seven-year-old Anita finds herself alone at a camp in Nogales. She escapes her tenuous reality through her trips to Azabahar, a magical world of the imagination. Meanwhile, Selena Durán, a young social worker, enlists the help of a successful lawyer in hopes of tracking down Anita’s mother.

Intertwining past and present, The Wind Knows My Name tells the tale of these two unforgettable characters, both in search of family and home. It is both a testament to the sacrifices that parents make and a love letter to the children who survive the most unfathomable dangers—and never stop dreaming.

*A New York Times Editors’ Choice*

From the author of Infinite Country—a New York Times bestseller and a Reese’s Book Club pick—comes a “rich and compelling” (The Washington Post) collection of ten exquisite, award-winning short stories set across the Americas and linked by themes of migration, sacrifice, and moral compromise.

Two Colombian expats meet as strangers on the rainy streets of New York City, both burdened with traumatic pasts. In Cuba, a woman discovers her deceased brother’s bones have been stolen, and the love of her life returns from Ecuador for a one-night visit. A cash-strapped couple hustles in Miami, to life-altering ends.

“If you’re looking for a collection that will touch your heart and make you look at your fellow humans more generously, this one’s a can’t-miss” (Good Housekeeping). Author Patricia Engel is “a wonder” (Lauren Groff) and these intimate and panoramic stories bring to life the liminality of regret, the vibrancy of community, and the epic deeds and quiet moments of love.

“Equal parts pee-your-pants hilarity and break your heart poignancy- like the perfect brunch date you never want to end!"--America Ferrera, Emmy award-winning actress in Ugly Betty

From the New York Times bestselling author of I Am Not Your Perfect Mexican Daughter, an utterly original memoir-in-essays that is as deeply moving as it is hilarious

Growing up as the daughter of Mexican immigrants in Chicago in the nineties, Erika Sánchez was a self-described pariah, misfit, and disappointment—a foul-mouthed, melancholic rabble-rouser who painted her nails black but also loved comedy, often laughing so hard with her friends that she had to leave her school classroom. Twenty-five years later, she’s now an award-winning novelist, poet, and essayist, but she’s still got an irrepressible laugh, an acerbic wit, and singular powers of perception about the world around her.

In these essays, Sánchez writes about everything from sex to white feminism to debilitating depression, revealing an interior life rich with ideas, self-awareness, and perception. Raunchy, insightful, unapologetic, and brutally honest, Crying in the Bathroom is Sánchez at her best—a book that will make you feel that post-confessional high that comes from talking for hours with your best friend.

WINNER OF THE PULITZER PRIZE FOR FICTION

A NEW YORK TIMES BESTSELLER

ONE OF THE NEW YORK TIMES TOP TEN BOOKS OF 2022
ONE OF BARACK OBAMA'S FAVORITE BOOKS OF 2022
LONGLISTED FOR THE 2022 BOOKER PRIZE

“Buzzy and enthralling …A glorious novel about empires and erasures, husbands and wives, staggering fortunes and unspeakable misery…Fun as hell to read.” —Oprah Daily

"A genre-bending, time-skipping story about New York City’s elite in the roaring ’20s and Great Depression."—Vanity Fair

“A riveting story of class, capitalism, and greed.” —Esquire

"Exhilarating.” —New York Times
Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.
    Hernan Diaz’s TRUST elegantly puts these competing narratives into conversation with one another—and in tension with the perspective of one woman bent on disentangling fact from fiction. The result is a novel that spans over a century and becomes more exhilarating with each new revelation.
    At once an immersive story and a brilliant literary puzzle, TRUST engages the reader in a quest for the truth while confronting the deceptions that often live at the heart of personal relationships, the reality-warping force of capital, and the ease with which power can manipulate facts.