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When did the federal government's self-appointed, essentially limitless authority over Native America become constitutional?

The story they have chosen to tell is wrong. It is time to tell a better story. Thus begins Keith Richotte's playful, unconventional look at Native American and Supreme Court history. At the center of his account is the mystery of a massive federal authority called plenary power.

When the Supreme Court first embraced plenary power in the 1880s it did not bother to seek any legal justification for the decision - it was simply rooted in racist ideas about tribal nations. By the 21st century, however, the Supreme Court was telling a different story, with opinions crediting the U.S. Constitution as the explicit source of federal plenary power.

So, when did the Supreme Court change its story? Just as importantly, why did it change its story? And what does this change mean for Native America, the Supreme Court, and the rule of law? In a unique twist on legal and Native history, Richotte uses the genre of trickster stories to uncover the answers to these questions and offer an alternative understanding.

The Worst Trickster Story Ever Told provides an irreverent, entertaining synthesis of Native American legal history across more than 100 years, reflecting on race, power, and sovereignty along the way. By embracing the subtle, winking wisdom of trickster stories, and centering the Indigenous perspective, Richotte opens up new avenues for understanding this history. We are able, then, to imagine a future that is more just, equitable, and that better fulfills the text and the spirit of the Constitution.

"No part of the judiciary exposes the chasm between American ideals and institutional practice like federal Indian law. In By the Fire We Carry, Nagle, a Cherokee journalist, turns a case most Americans haven’t heard of into a legal thriller." —New York Times Book Review

NATIONAL BESTSELLER

The New Yorker’s Best Books of 2024 • Publishers Weekly Top 10 Book of the Year • NPR 2024 “Books We Loved” Pick • Esquire Best Book of the Year  • Kirkus Reviews Best Nonfiction of 2024 • Winner of the J. Anthony Lukas Book Prize • Finalist for the National Book Critics Circle John Leonard First Book Prize

An “impeccably researched” (Washington Post) work of reportage and American history that braids the story of the forced removal of Native Americans onto treaty lands in the nation’s earliest days, and a small-town murder in the 1990s that led to a Supreme Court ruling reaffirming Native rights to that land more than a century later.

Before 2020, American Indian reservations made up roughly 55 million acres of land in the United States. Nearly 200 million acres are reserved for National Forests—in the emergence of this great nation, our government set aside more land for trees than for Indigenous peoples.

In the 1830s Muscogee people were rounded up by the US military at gunpoint and forced into exile halfway across the continent. At the time, they were promised this new land would be theirs for as long as the grass grew and the waters ran. But that promise was not kept. When Oklahoma was created on top of Muscogee land, the new state claimed their reservation no longer existed. Over a century later, a Muscogee citizen was sentenced to death for murdering another Muscogee citizen on tribal land. His defense attorneys argued the murder occurred on the reservation of his tribe, and therefore Oklahoma didn’t have the jurisdiction to execute him. Oklahoma asserted that the reservation no longer existed. In the summer of 2020, the Supreme Court settled the dispute. Its ruling that would ultimately underpin multiple reservations covering almost half the land in Oklahoma, including Nagle’s own Cherokee Nation. 

Here Rebecca Nagle recounts the generations-long fight for tribal land and sovereignty in eastern Oklahoma. By chronicling both the contemporary legal battle and historic acts of Indigenous resistance, By the Fire We Carry stands as a landmark work of American history. The story it tells exposes both the wrongs that our nation has committed and the Native-led battle for justice that has shaped our country. 

A SERVICE95 BOOKCLUB HYPE READ FOR OCTOBER + HARPERS BAZAAR BEST BOOK OF AUTUMN 2025

'A powerful, beautiful, wrenching masterpiece ... both a memoir and something that reaches far beyond the personal'' REBECCA SOLNIT, author of HOPE IN THE DARK

'The book I've been waiting my whole life to read' TOMMY ORANGE, author of the Booker longlisted WANDERING STARS

'A story that must be told' KATHLEEN DUVAL, Pulitzer Prize-winning author of NATIVE NATIONS

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"In my people's language, we greet each other each morning by saying "Tsecwínucw-k: 'You survived the night"'

One dark night, a new-born is discovered dumped inside a waste incinerator. The boy, rescued from death, grows into a man who will in turn abandon his own children, including his first-born son Julian Brave NoiseCat.

Behind this father-son story lies an even darker history of abuse, colonialism and vicious attempts to erase North America's First Peoples from their land. Told in the style of a 'Coyote Story', a legend of the trickster forefather of NoiseCat's people, We Survived the Night brings a vanishing artform back to life in this dazzling account of contemporary Indigenous North America. Braiding on-the-ground reportage together with intimate experience, history with mythology, NoiseCat grapples with trauma that cascades across generations to uncover truths about himself, his family and his people - how they survived and how, through vital political, environmental and cultural movements, they are coming back.

An inventive, illuminating and moving narrative from one of the most compelling artists at work today, We Survived the Night is both reconciliation and celebration of Indigenous pain, hope and resurgence - and their power to shape a collective future.

Here is an unforgettable journey of restoration through father-son ties and historic reckoning of Indigenous people, announcing a major new literary talent.

Now in paperback: in the vein of Killers of the Flower Moon, one of America’s greatest storytellers sheds light on an American tragedy: the Wounded Knee Massacre, and the ‘cultural genocide’ experienced by the Native American children at the Carlisle Indian Industrial School . . .

In September of 1890, the academic year begins at the Carlisle School, a military-style boarding school for Indians in Pennsylvania, founded and run by Captain Richard Henry Pratt. Pratt considers himself a champion of Native Americans. His motto, “To save the man, we must kill the Indian,” is severely enforced in both classroom and dormitory: Speak only English, forget your own language and customs, learn to be white.

As the young students navigate surviving the school, they begin to hear rumors of a “ghost dance” amongst the tribes of the west—a ceremonial dance aimed at restoring the Native People to power, and running the invaders off their land. As the hope and promise of the ghost dance sweeps across the Great Plains, cynical newspapers seize upon the story to whip up panic among local whites. The US government responds by deploying troops onto lands that had been granted to the Indians. It is an act that seems certain to end in slaughter.

As news of these developments reaches Carlisle, each student, no matter what their tribe, must make a choice: to follow the white man’s path, or be true to their own way of life . . .

New York Times Bestseller

From the author of The Apache Wars, the true story of the American West, revealing how American ambition clashed with the realities of violence and exploitation

The epic of the American West became a tale of progress, redemption, and glorious conquest that came to shape the identity of a new nation. Over time a darker story emerged—one of ghastly violence and environmental spoliation that stained this identity.

The Undiscovered Country strips away the layers of myth to reveal the true story of this first epoch of American history. From the forests of Pennsylvania and Kentucky to the snow-crested California Sierras, and from the harsh deserts of the Southwest to the buffalo range of the Great Plains, Paul Andrew Hutton masterfully chronicles a story that defined America and its people. From Braddock’s 1755 defeat to the 1890 Wounded Knee massacre, he unfolds a grand narrative steeped in romantic impulses and tragic consequences.

Hutton uses seven main protagonists—Daniel Boone, Red Eagle, Davy Crockett, Mangas Coloradas, Kit Carson, Sitting Bull, and William “Buffalo Bill” Cody—as the biographical threads by which to weave a tapestry across seven generations, revealing a story of heroic conquest and dark tragedy, of sacrifice and greed, and of man-made wonders and environmental ruin.

The American frontier movement has proven eternally fascinating around the world—the subject of countless books, paintings, poems, television shows, and films. The Undiscovered Country reveals the truth behind America’s great creation myth.

Rediscover the thriving civilizations of Pre-Columbian America and learn how Native ingenuity transformed the landscape into a flourishing world we can still learn from today

North America was not empty nor were its inhabitants savages when Europeans arrived in 1492. Quite the opposite, North America was thickly populated by indigenous people who lived in clean cities, had a thriving economy, and transformed the landscape into bountiful productivity. Forgotten Landscapes reveals the incredible extent to which Native Americans manipulated and shaped their surrounding environs through agricultural practices and urban engineering, resulting in one of the most prosperous civilizations of their time.

Well before European contact, North American cities and villages were bound together by an intricate trade network. Today, Spiro Mound in rural Oklahoma is a few piles of dirt, not on the road to anywhere. But at the time of the Mississippian civilization, about a thousand years ago, it was one of the largest cities in the world. With the controlled use of fire, Native Americans had transformed thick forests into open woodlands and expanded the ranges of prairies. Through organized hunting, Natives controlled the populations of prey animals such as passenger pigeons, and when Native populations grew large enough, they developed agriculture including irrigated crops, and even orchards.

In this fascinating and overdue book, author Stanley A. Rice shows readers the Pre-Columbian landscape of America that has been largely forgotten.

A gripping sci-fi thriller—and Native American First Contact story—from the New York Times bestselling author of Robopocalypse, Daniel Wilson, who is a Cherokee Nation citizen and works as a threat forecaster for NASA.

Heliopause is a real place—the very outer edge of our solar system where the sun's solar winds are no longer strong enough to keep debris and intrusions from bombarding our system. It is the farthest edge of our protected boundary (it was recently crossed by Voyager), and the line beyond which space experts look for extraterrestrial presences. This is where Daniel Wilson's fascinating novel begins. Weaving together the story of Jim, a down-on-his-luck absentee father in the Osage territory of Oklahoma, and his daughter, Tawny, with those of a NASA engineer, a misfit anonymous genius who lives in military isolation analyzing a secret incoming "Pattern," and a CIA investigator tasked with tracking unexplained encounters, Hole in the Sky explores a Native American first contact that pulls all five characters into something never before seen or imagined.

An epic deep history of the Indigenous peoples of North America, covering more than 20,000 years of astonishing diversity, adaptation, resilience, and continuity

Native America presents an infinitely surprising and fascinating deep history of the continent’s Indigenous peoples. Kenneth Feder, a leading expert on Native American history and archaeology, draws on archaeological, historical, and cultural evidence to tell the ongoing story, more than 20,000 years in the making, of an incredibly resilient and diverse mixture of peoples, revealing how they have ingeniously adapted to the many changing environments of the continent, from the Arctic to the desert Southwest.

Richly illustrated, Native America introduces close to a hundred different peoples, each with their own language, economic and social system, and religious beliefs. Here, we meet the Pequot, Tunxis, Iroquois, and Huron of the Northeast; the Navajo, Hopi, Zuni, and Apache of the Southwest; the Hidatsa, Mandan, and Lakota of the Northern Plains; the Haida, Kwakiutl, Nootka, and Salish of the Northwest Coast; the Tule River and Mohave of Southern California; the Cherokee, Creek, and Seminole of the Southeast; and the Inuit and Kalaallit of the Arctic. We learn about hunters of enormous Ice Age beasts; people who raised stone toolmaking to the level of art; a Native American empire ruled by a king and queen, with a huge city at its center and colonies hundreds of miles away; a society that made the desert bloom by designing complex irrigation networks; brilliant architects who built fairy castles in sandstone cliffs; and artists who produced beautiful and moving petroglyphs and pictographs that reflect their deep thinking about history, the sacred, the land, and the sky.

Native America is not about peoples of the past, but vibrant, living ones with an epic history of genius and tenacity—a history that everyone should know.

The New York Times bestseller and “horror masterpiece” (NPR) from Stephen Graham Jones—the master of modern horror—is a chilling historical horror novel tracing the life of a vampire who haunts the fields of the Blackfeet reservation looking for justice. The best horror novel of the year and one of the best books of 2025.

“Jones has written his Interview with the Indigenous Vampire. A landmark of horror and historical fiction alike, perhaps the closest thing we have to horror’s Moby-Dick.” —Vulture

“Inventive and spine-tingling…a master class in voice. Queasy, uneasy, The Buffalo Hunter Hunter plays with the interplay between religion and historical guilt, identity and appetite.” —The Washington Post

A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.

NEW YORK TIMES BESTSELLER • The Pulitzer Prize-finalist and author of the breakout bestseller There There ("Pure soaring beauty."The New York Times Book Review) delivers a masterful follow-up to his already classic first novel. Extending his constellation of narratives into the past and future, Tommy Orange traces the legacies of the Sand Creek Massacre of 1864 and the Carlisle Indian Industrial School through three generations of a family in a story that is by turns shattering and wondrous.

"For the sake of knowing, of understanding, Wandering Stars blew my heart into a thousand pieces and put it all back together again. This is a masterwork that will not be forgotten, a masterwork that will forever be part of you.” —Morgan Talty, bestselling author of Night of the Living Rez

Colorado, 1864. Star, a young survivor of the Sand Creek Massacre, is brought to the Fort Marion prison castle, where he is forced to learn English and practice Christianity by Richard Henry Pratt, an evangelical prison guard who will go on to found the Carlisle Indian Industrial School, an institution dedicated to the eradication of Native history, culture, and identity. A generation later, Star’s son, Charles, is sent to the school, where he is brutalized by the man who was once his father’s jailer. Under Pratt’s harsh treatment, Charles clings to moments he shares with a young fellow student, Opal Viola, as the two envision a future away from the institutional violence that follows their bloodlines.

In a novel that is by turns shattering and wondrous, Tommy Orange has conjured the ancestors of the family readers first fell in love with in There There—warriors, drunks, outlaws, addicts—asking what it means to be the children and grandchildren of massacre. Wandering Stars is a novel about epigenetic and generational trauma that has the force and vision of a modern epic, an exceptionally powerful new book from one of the most exciting writers at work today and soaring confirmation of Tommy Orange’s monumental gifts.